native instruments komplete kontrol mk2 with mainstage 3

The span between the centres of the pads has been kept the same, so it should feel completely natural moving from the earlier models. All labelling has been moved on to the pads themselves to facilitate this. The all-important pads have been significantly enlarged, leaving just a sliver of a space between them. As with Push, a mains power connection makes the screens brighter, but (unlike Push) they’re perfectly usable without it, and in fact I hardly ever plugged in. To summarise what’s changed for skim-readers, the new hardware squeezes in bigger, better pads, more dedicated function and mode buttons, big colour displays, touch-sensitive encoders, a unique multi-directional push encoder, a touch strip, and a built-in audio interface.Ī mains adaptor is supplied in the box, but both the Maschine 3 and KKS keyboard can run from USB power. The unfussy lines, surface finish and backlit button legending create a definite Push 2-like impression, which is to say classy and modern. The new Maschine is a sleek, solid wedge, with simple, straight edges that free up surface area to accommodate the larger screens and extra buttons. I’ll look at them separately, but note similarities and differences as we go. However, the keyboard shouldn’t be confused as a Maschine controller: it’s primarily a master keyboard and plug-in instrument workstation. The new controllers share a number of features and the keyboard can now work closely with Maschine software, so we’ve reviewed them together.

New versions of NI’s flagship controllers bring the onboard display features of the Maschine Studio to both the Maschine and the Komplete Kontrol S-series (KKS) keyboards, offer multiple usability enhancements, and bring them up to date with the latest Maschine software workflows.

Are the Maschine 3 and Komplete Kontrol 2 enough to keep NI at the top of the integrated controller/software game?

Native instruments komplete kontrol mk2 with mainstage 3